CORRIERE CANADESE / Saving Sergio Leone’s Masterpiece

TORONTO – When Michelangelo Buonarroti completed his massive fresco in the Sistine Chapel, Vatican critics called its nude figures “a vulgar display of flesh”, sparking an aggressive censorship campaign to cover them with loincloths. Creative friction between patron and artist has a long history, and the battle over creative control is perhaps more pronounced than ever in modern cinema… Read More in Corriere Canadese >>>