TORONTO – Plot details for Paolo Sorrentino’s mysterious film project La Grazia have been kept under wraps since the film’s announcement last December. While the practice of withholding plots and/or titles is nothing new for filmmakers, La Biennale di Venezia’s announcement that La Grazia would be opening this year’s festival prompts a discussion on film marketing. La Grazia is being tagged a “love story”, but this could be an intentional misnomer. Sylvester Stallone for instance has famously proclaimed that his 1976 classic was a love story with a boxing backdrop…
